mercoledì 25 giugno 2008
Medieval Bookstore
sabato 21 giugno 2008
Medievalismo
In the network from 1998 (1 of May), now, we initiated a new way, more dynamic and modern. With ambition and the necessity to adapt us to the changes of articles of incorporation, historical and technological of century XXI.
We want to be a reference of utility, communication and interactivity, between the professionals and interested of the Medievo and the New Technologies. For it, in this space, you will find all the information necessary to be able to complete your works and restlessness.
Let us do of History a referring one for the society.
venerdì 20 giugno 2008
lunedì 16 giugno 2008
Medieval Geography
venerdì 13 giugno 2008
Medieval Island Castles
mercoledì 11 giugno 2008
Medieval Literature
lunedì 9 giugno 2008
Medieval Moon
We try to update our products often, but don't hesitate to contact us if you are looking for something in particular that you're not seeing on the site.
www.medievalmoon.net
sabato 7 giugno 2008
Medieval Sun
http://www.trekearth.com/gallery/Europe/Italy/photo399223.htm
venerdì 6 giugno 2008
Medieval Aristotele
Medieval Aristotele
"The centuries between Aristotle and Porphyry bequeathed few logical works to the early Middle Ages. Cicero wrote a Topics, professedly based on Aristotle's work on the subject, but probably derived from a later source. The book was quite widely read in the Middle Ages, at the time when Aristotle's Topics was unknown. A work attributed to Apuleius, and bearing the same Greek title (transliterated) as the De Interpretatione – Peri hermeneias – enjoyed a certain vogue among the earliest medieval logicians. For modern scholars, it is a useful source of Stoic logical theories; but its philosophical content is slight.
By the time of Porphyry, however, a development had taken place in the status, rather than the doctrine, of Aristotelian logic, which would be of great importance for medieval philosophy. Aristotelian logic had been adopted by the Neoplatonists and given a definite place in their programme of teaching. Whereas their use of Aristotle's philosophical works was piecemeal and distorting, his logic was studied faithfully as a whole. Aristotle had rejected the notion of Platonic Ideas; and he had consequently treated genera and species in his logic purely as class-designations for individual things. The Neoplatonists assimilated this approach, which contradicted the very basis of their metaphysics, by limiting the application of Aristotelian logic to the world of concrete things. Stripped of its metaphysical relevance, the tendency was for logic to become more purely formal than it had been for Aristotle. However, the extra-logical aspects of the Categories and the De interpretatione were too intrinsic to these works to be ignored; and the result was the growth of a body of philosophical discussion and commentary within the Neoplatonic logical tradition, only vaguely related to Neoplatonic metaphysics, and sometimes seemingly antithetical to its principles.
giovedì 5 giugno 2008
Medieval Brain
www.davinciandthebrain.org/brain.jsp
mercoledì 4 giugno 2008
Medieval Night
The first thing to be said is that The Thousand and One Nights is a rather exceptional work in the context of medieval Arabic literature. It happens sometimes that a person takes up the study of a language because of his love for a single work, but if someone were tempted to begin the task of learning Arabic because of his love of The Thousand and One Nights, he should be forewarned that the book is sui generis. He will really find nothing else like it in the literature, one reason being that the Nights seems to have absorbed a number of once independent medieval Arabic fictions; the story of “Sindbad” is probably the most famous example. The borders of this text were not, it seems, ever very well defined. Hence the size of the Nights. Unfortunately, in the case of the Nights its marginality in this respect has also worked to veil its history in a good deal of obscurity. Indeed, in recounting its history in the medieval period, there is no need to summarize; a fairly complete account will read like a summary, since most of its medieval history is unknown and is likely to remain unknown. To retell the story, let us think of it for the moment as a piece of architecture—a palace, as Borges calls it. “To erect the palace of The Thousand and One Nights, it took generations of men, and those men are our benefactors, as we have inherited this inexhaustible book, this book capable of so much metamorphosis,” Borges said of one of his favorite books
www.arabiannights.org/medieval.html
martedì 3 giugno 2008
Medieval Night
The first thing to be said is that The Thousand and One Nights is a rather exceptional work in the context of medieval Arabic literature. It happens sometimes that a person takes up the study of a language because of his love for a single work, but if someone were tempted to begin the task of learning Arabic because of his love of The Thousand and One Nights, he should be forewarned that the book is sui generis. He will really find nothing else like it in the literature, one reason being that the Nights seems to have absorbed a number of once independent medieval Arabic fictions; the story of “Sindbad” is probably the most famous example. The borders of this text were not, it seems, ever very well defined. Hence the size of the Nights. Unfortunately, in the case of the Nights its marginality in this respect has also worked to veil its history in a good deal of obscurity. Indeed, in recounting its history in the medieval period, there is no need to summarize; a fairly complete account will read like a summary, since most of its medieval history is unknown and is likely to remain unknown. To retell the story, let us think of it for the moment as a piece of architecture—a palace, as Borges calls it. “To erect the palace of The Thousand and One Nights, it took generations of men, and those men are our benefactors, as we have inherited this inexhaustible book, this book capable of so much metamorphosis,” Borges said of one of his favorite book
www.arabiannights.org/medieval.htm