tag:blogger.com,1999:blog-10873040173395566902024-03-14T09:00:32.970+00:00Europa MedievaleUn viaggio nelle notizie, nei siti, nelle testimonianze dell'Europa medievale. A cura dell'Associazione Culturale Italia Medievale.
A journey in the news, sites, in the testimonies of medieval Europe. Organized by Associazione Culturale Italia MedievaleItalia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.comBlogger351125tag:blogger.com,1999:blog-1087304017339556690.post-88642333165760397962023-05-24T07:03:00.000+01:002023-05-24T07:03:12.880+01:00La Gerb'Ode XX Edition<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVSSvzPh00vfPJDzqTOJjPCcMR7nLNORJl-vyUumje2EwyNWS496OTkBNkxF3Y9FJ_NerJFssyUzeBLqqJnJtXggvuGhb1XWYUlWsLxEjmuUk2zKitzmhvmBDO5ZSQ-jhtAycF5gDa9IToNIphoMtJWG2l6rtDpbNz1IgKts2-Ekp0X8eSnJwabuse/s2048/27-28%20maggio%20francia.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1468" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVSSvzPh00vfPJDzqTOJjPCcMR7nLNORJl-vyUumje2EwyNWS496OTkBNkxF3Y9FJ_NerJFssyUzeBLqqJnJtXggvuGhb1XWYUlWsLxEjmuUk2zKitzmhvmBDO5ZSQ-jhtAycF5gDa9IToNIphoMtJWG2l6rtDpbNz1IgKts2-Ekp0X8eSnJwabuse/w458-h640/27-28%20maggio%20francia.jpg" width="458" /></a></div><span class="HwtZe" lang="fr"><span class="jCAhz ChMk0b"><span class="ryNqvb" style="font-family: arial;"><span style="font-size: small;">Pour plus d'informations, <a href="https://www.gerbode.fr" target="_blank">cliquez ici</a> !</span></span></span></span><br /><p></p>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com033140 Cadaujac, Francia44.755835 -0.529587916.445601163821152 -35.6858379 73.066068836178843 34.6266621tag:blogger.com,1999:blog-1087304017339556690.post-82849849292465658182022-05-05T06:01:00.000+00:002022-05-05T06:01:36.083+00:00Legal Manuscript Illuminations and Documents: Two Cases of Study<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicfpSU3tbQ2fEFWRDilFBthRiWEenmJHOXe9wz39Qv-NhXWjWY12QMh3s5sp4nWWuTP_R7yZYh8VzVjk7aZXIzt_CBhzdGdmz5Sbya6m3B37yIg7Y2kjWxCbG2JUKj3vIi35OHljK2OnhdfgjuwOxVzy5DTu2GoM9rpzjqCnriggCakFodNbyFtNkl/s2000/6%20maggio.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="1414" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicfpSU3tbQ2fEFWRDilFBthRiWEenmJHOXe9wz39Qv-NhXWjWY12QMh3s5sp4nWWuTP_R7yZYh8VzVjk7aZXIzt_CBhzdGdmz5Sbya6m3B37yIg7Y2kjWxCbG2JUKj3vIi35OHljK2OnhdfgjuwOxVzy5DTu2GoM9rpzjqCnriggCakFodNbyFtNkl/w452-h640/6%20maggio.jpg" width="452" /></a></div><span class="VIiyi" lang="en"><span class="JLqJ4b ChMk0b" data-language-for-alternatives="en" data-language-to-translate-into="it" data-number-of-phrases="1" data-phrase-index="0"><span class="Q4iAWc"><span style="font-size: small;"><span style="font-family: arial;">For more information <a href="https://www.facebook.com/events/518758603055832" target="_blank">click here</a> !</span></span><br /></span></span></span><p></p>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-59206749150675105702021-10-18T07:06:00.000+01:002021-10-18T07:06:05.546+01:00L’eau dans les villes d’Europe au Moyen Âge (IVe-XVe s.)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://eauvillehma.sciencesconf.org/data/pages/affiche_A3_1_red_01bisok2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="566" height="640" src="https://eauvillehma.sciencesconf.org/data/pages/affiche_A3_1_red_01bisok2.jpg" width="453" /></a></div><span style="font-size: small;"><span style="font-family: arial;"><span class="VIiyi" lang="fr"><span class="JLqJ4b ChMk0b" data-language-for-alternatives="fr" data-language-to-translate-into="it" data-number-of-phrases="1" data-phrase-index="0"><span>Pour plus d'informations, <a href="https://eauvillehma.sciencesconf.org" target="_blank">cliquez ici</a> !</span></span></span></span></span><br /><p></p>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-27127002686963067442020-11-14T07:50:00.000+01:002020-11-14T07:50:55.447+01:00Modus Vivendi<div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><b><span style="font-size: small;"><span style="font-family: arial;">Modus Vivendi</span></span></b></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;"> Religious Reform and the Laity in Late Medieval Europe</span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;">edited by <b>Miri Rubin</b></span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;">pp. 152, € 39,00</span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;">Viella, 2020</span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;">ISBN: </span></span><span style="font-size: small;"><span style="font-family: arial;">9788833137063</span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;"> </span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;"><em></em></span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;"><em><div class="separator" style="clear: both; text-align: center;"><a href="https://www.viella.it/spool/i__id5646_w600_t1605097219__1x.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="546" height="320" src="https://www.viella.it/spool/i__id5646_w600_t1605097219__1x.jpg" width="218" /></a></div>Modus Vivendi</em> is a collection of essays by scholars who
seek to discover lay men and women within the projects of reform and
renewal in later medieval Europe. Religious life was never without
change, yet religious orders, preachers, and institutions of learning
proclaimed their desire to make religious life more sincere. In doing
so, they occasionally developed a mission to lay people alongside
professional religious. Such encounters with the laity – through the
writing of theology in the vernacular, in the delivery of charismatic
preaching, in the operation of inquisition into heresy, in the
composition of new liturgies, and through networks of patronage –
created modes of living religion – <em>modus vivendi</em> – of
creativity as well as discipline. They contributed to religious life
beyond the routine provisions of parish life, and often included women
in novel ways.</span></span><span style="font-size: small;"><span style="font-family: arial;"><em> </em></span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;"><em>Modus Vivendi</em> spans European regions across the period
1350-1500 in its studies, based on texts, objects, and images which have
been little studied so far.</span></span></div><div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: arial;"><span style="color: #990000;"><b>Miri Rubin</b></span> is Professor of Medieval and Early Modern History at Queen Mary University of London. Her most recent books are <em>Cities of Strangers: Making Lives in Medieval Europe</em> (Cambridge University Press, 2020), and the translation/edition in Penguin Classics, Thomas of Monmouth, <em>The Life and Passion of William of Norwich</em> (Penguin Press, 2014).</span></span><span style="font-size: small;"><span style="font-family: arial;"></span></span>
</div>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-56279351246253396172020-02-28T08:27:00.000+01:002020-02-28T08:27:22.865+01:00Using the Past: The Middle Ages in the Spotlight<div class="separator" style="clear: both; text-align: center;">
<a href="https://scontent-mxp1-1.xx.fbcdn.net/v/t1.0-9/s960x960/88123668_2871614136194895_962438442308861952_o.jpg?_nc_cat=102&_nc_sid=de0e5b&_nc_ohc=KBwQSw02CW4AX9x6daG&_nc_ht=scontent-mxp1-1.xx&_nc_tp=7&oh=f5b7c24df6fa40876cf40adea689c7ce&oe=5EB729F0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="565" height="640" src="https://scontent-mxp1-1.xx.fbcdn.net/v/t1.0-9/s960x960/88123668_2871614136194895_962438442308861952_o.jpg?_nc_cat=102&_nc_sid=de0e5b&_nc_ohc=KBwQSw02CW4AX9x6daG&_nc_ht=scontent-mxp1-1.xx&_nc_tp=7&oh=f5b7c24df6fa40876cf40adea689c7ce&oe=5EB729F0" width="452" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;"><span class="tlid-translation translation" lang="pt"><span class="" title="">Para mais informações <a href="http://using-the-past.mozello.com/?fbclid=IwAR2cz8xJaSOAJgtYVeN9Wm1DzDCFvdJzSajGefdiDDTcK_cuk6Ak-DbSR7Q" target="_blank">clique aqui</a> !</span></span></span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-13454786835135265792019-12-10T08:04:00.000+01:002019-12-10T08:04:34.880+01:00Prédication en chapitre et gouvernement dans les ordres mendiants (XIIIe-XVe siècle)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-xFapAT3Rl6Q/Xe8-FiLQlRI/AAAAAAAALJM/mlkyINjnSgAxPC7ShSOI8J4tX47UyguawCLcBGAsYHQ/s1600/ordini.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1190" data-original-width="841" height="640" src="https://1.bp.blogspot.com/-xFapAT3Rl6Q/Xe8-FiLQlRI/AAAAAAAALJM/mlkyINjnSgAxPC7ShSOI8J4tX47UyguawCLcBGAsYHQ/s640/ordini.jpg" width="452" /></a></div>
<div class="text-wrap tlid-copy-target">
<div class="result-shield-container tlid-copy-target" tabindex="0">
<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;"><span class="tlid-translation translation" lang="fr"><span class="" title="">Pour voir le programme au format PDF, <a href="http://www.rm-calendario.it/wp-content/uploads/2019/12/a3_precher_en_chapitre.pdf" target="_blank">cliquez ici</a></span></span></span></span><span class="tlid-translation-gender-indicator translation-gender-indicator"><span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;"> !<span id="goog_490561016"></span><span id="goog_490561017"></span></span></span></span></div>
</div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Lione, Francia45.764043 4.835658999999964245.586788500000004 4.5129354999999638 45.9412975 5.1583824999999646tag:blogger.com,1999:blog-1087304017339556690.post-73891467215917400822019-11-17T08:54:00.002+01:002019-11-17T08:54:44.204+01:00Les chevaliers et leurs représentations<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-4vvafPh6Yao/XdD5DaJziJI/AAAAAAAALBc/kDHb9S64nGYgGNlxOA1lALur4OL1gPeEwCLcBGAsYHQ/s1600/avignon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="590" data-original-width="436" height="640" src="https://1.bp.blogspot.com/-4vvafPh6Yao/XdD5DaJziJI/AAAAAAAALBc/kDHb9S64nGYgGNlxOA1lALur4OL1gPeEwCLcBGAsYHQ/s640/avignon.jpg" width="472" /></a></div>
<div style="text-align: justify;">
<span class="tlid-translation translation" lang="fr"><span class="" title=""><span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">Pour télécharger le programme complet au format pdf, <a href="http://www.storiadeldiritto.org/home/atelier-les-chevaliers-et-leurs-representations-avignon-21-et-22-novembre-2019" target="_blank">cliquez ici</a> !</span></span></span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-73971232917159755032019-07-24T06:52:00.000+01:002019-07-24T06:52:56.502+01:00Fête Médiévale Château de Vianden<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-57hWISouCLM/XTfliAUVrLI/AAAAAAAAKY8/VmYkQH8ddB0BxUsw_phexYKpG-q0fdYSgCLcBGAs/s1600/fete-medieval.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1141" height="640" src="https://1.bp.blogspot.com/-57hWISouCLM/XTfliAUVrLI/AAAAAAAAKY8/VmYkQH8ddB0BxUsw_phexYKpG-q0fdYSgCLcBGAs/s640/fete-medieval.jpg" width="456" /></a></div>
<div class="text-wrap tlid-copy-target">
<div class="result-shield-container tlid-copy-target" tabindex="0">
<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;"><span class="tlid-translation translation" lang="fr"><span class="" title="">Pour plus d'informations et le programme complet <a href="http://castle-vianden.lu/" target="_blank">cliquez ici</a> !</span></span></span></span><span class="tlid-translation-gender-indicator translation-gender-indicator"></span></div>
</div>
<span class="gt-cc-tc"><span class="gt-ct-text"></span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Montée du Château, 9408 Vianden, Lussemburgo49.9350345 6.202722399999970549.6079305 5.5572753999999707 50.2621385 6.84816939999997tag:blogger.com,1999:blog-1087304017339556690.post-28759643138562908012019-02-05T08:20:00.000+01:002019-02-05T08:20:46.465+01:00Prêcher en chapitre entre réforme de la vita religiosa et monde des écoles (XIIe-XIVe siècle)<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-zlTBJ_GJYlU/XFk3LOgZSXI/AAAAAAAAJlw/mbPY52BBHAwL9I2nMQn2uzOuMa0z-6YigCLcBGAs/s1600/aff_precher_en_chapitre_fev2019_v4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="841" data-original-width="595" height="640" src="https://2.bp.blogspot.com/-zlTBJ_GJYlU/XFk3LOgZSXI/AAAAAAAAJlw/mbPY52BBHAwL9I2nMQn2uzOuMa0z-6YigCLcBGAs/s640/aff_precher_en_chapitre_fev2019_v4.jpg" width="452" /></a></div>
<div class="text-wrap tlid-copy-target">
<div class="result-shield-container tlid-copy-target">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="tlid-translation translation"><span class="" title="">Pour plus d'informations <a href="https://www.irht.cnrs.fr/?q=en/agenda/precher-en-chapitre-entre-reforme-de-la-vita-religiosa-et-monde-des-ecoles-xiie-xive-siecle" target="_blank">cliquez ici</a> !</span></span></span></span><span class="tlid-translation-gender-indicator translation-gender-indicator"></span></div>
</div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com040 Avenue d'Iéna, 75116 Paris, Francia48.8664818 2.295404299999972923.344447300000002 -39.013189700000027 74.3885163 43.603998299999972tag:blogger.com,1999:blog-1087304017339556690.post-74789226715581696372019-01-14T09:58:00.001+01:002019-01-14T09:58:04.172+01:00Digestum vetus e os fragmentos do Decretum Gratiani<div class="separator" style="clear: both; text-align: center;">
<a href="https://content.gulbenkian.pt/wp-content/uploads/sites/5/2018/11/21122130/LA-212-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="747" height="320" src="https://content.gulbenkian.pt/wp-content/uploads/sites/5/2018/11/21122130/LA-212-2.jpg" width="298" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: red;"><span style="color: black;">Digestum vetus e os fragmentos do Decretum Gratiani</span> </span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: red;">17 janeiro 2019</span> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Coleção do Fundador Av. de Berna, 45A
, Lisboa.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">O Museu Calouste Gulbenkian guarda dois fragmentos iluminados e um códice medieval de <em>Ius commune </em>(Direito comum). O Direito comum – composto pelo <em>Corpus Iuris Civilis </em>(Corpo de Direito Civil), pelo <em>Corpus Iuris Canonici </em>(Corpo
de Direito Canónico) e respetiva literatura jurídica – constitui uma
das mais importantes fontes de Direito vigentes em Portugal, desde a
Idade Média até à Lei da Boa Razão de 1769.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">1. De acordo com a sistematização medieval o <em>Corpus Iuris Civilis</em>–
compilação de Direito romano mandada elaborar pelo Imperador
Justiniano, no século VI – estava dividido em cinco partes: o Digesto
velho, o Digesto novo, o Digesto esforçado, o Código e o Volume Pequeno.
O ms LA212 é um Digesto velho, que teria sido copiado e iluminado no
sul da França, no curso do século XIV.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">2. O <em>Corpus Iuris Canonici</em>estava sistematizado em seis
partes: Decreto de Graciano, Decretais de Gregório IX, Livro Sexto,
Clementinas, Extravagantes de João XXII e Extravagantes Comuns. Os
fragmentos M36A e M36B faziam parte de um Decreto de Graciano, a mais
importante fonte de Direito canónico medieval, que foi composto por
Graciano na primeira metade do século XII. As suas iluminuras são
atribuídas ao ateliê do Maître du Missel de Augier de Cogeux (ou
Cogenx), realizadas durante a primeira metade do século XIV,
provavelmente em Toulouse.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Neste seminário pretendemos destacar o aparato decorativo e
ilustrativo destes fragmentos jurídicos, relacionando-os com outros
manuscritos seus contemporâneos, e explicar a importância prática que
esses monumentos de Direito atingiram durante o período da Idade Média
portuguesa.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Orador: Maria Alessandra Bilotta e José Domingues.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://gulbenkian.pt/museu/evento/digestum-vetus-e-os-fragmentos-do-decretum-gratiani" target="_blank">gulbenkian.pt/museu/evento/digestum-vetus-e-os-fragmentos-do-decretum-gratiani </a></span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Av. de Berna 45 A, 1050-078 Lisboa, Portogallo38.7373239 -9.1544367000000238.7357759 -9.15695820000002 38.7388719 -9.151915200000019tag:blogger.com,1999:blog-1087304017339556690.post-73598461203512932812018-10-04T07:20:00.000+01:002018-10-04T07:20:32.584+01:00«Ubi caritas»: les établissements de soins au Moyen Âge<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-Wddtd_Qs5FI/W7WdiGV-SdI/AAAAAAAAJDg/NzcP4775JgYyl7hcnwTNwyZeQg4Vr2a4gCLcBGAs/s1600/paray.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="582" data-original-width="416" height="640" src="https://1.bp.blogspot.com/-Wddtd_Qs5FI/W7WdiGV-SdI/AAAAAAAAJDg/NzcP4775JgYyl7hcnwTNwyZeQg4Vr2a4gCLcBGAs/s640/paray.jpg" width="456" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Pour avoir le programme en PDF <a href="http://amis-basilique-paray.fr/images/rdv_automne/pdf/Programme.pdf" target="_blank">cliquez ici</a> !</span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com071600 Paray-le-Monial, Francia46.452222 4.120665000000030946.364689 3.959303500000031 46.539755 4.2820265000000308tag:blogger.com,1999:blog-1087304017339556690.post-20355766397468614762018-06-28T06:50:00.000+01:002018-06-28T06:50:09.970+01:00Vérité et fiction<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Q2uOzN--cJM/WzRhSB05OOI/AAAAAAAAIlw/-6A3h-WoxcET8-FVpTJrT4Eour-EcX9FwCLcBGAs/s1600/parigi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="754" data-original-width="539" height="640" src="https://4.bp.blogspot.com/-Q2uOzN--cJM/WzRhSB05OOI/AAAAAAAAIlw/-6A3h-WoxcET8-FVpTJrT4Eour-EcX9FwCLcBGAs/s640/parigi.jpg" width="456" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Pour télécharger le programme complet en format PDF <a href="http://www.ims-paris.org/pdfs/poster%202018.pdf" target="_blank">cliquez ici</a> !</span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com09 Rue Malher, 75004 Paris, Francia48.8559727 2.361177499999939823.333938200000002 -38.94741650000006 74.3780072 43.669771499999939tag:blogger.com,1999:blog-1087304017339556690.post-38279594853907354782018-06-01T06:04:00.000+00:002018-06-01T06:04:21.063+00:00L'espace sacré au sein de l'église médiévale<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.mae.parisnanterre.fr/wp-content/uploads/2018/05/Affiche_colloque_arscan_themam.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://www.mae.parisnanterre.fr/wp-content/uploads/2018/05/Affiche_colloque_arscan_themam.jpg" data-original-height="705" data-original-width="500" height="320" width="226" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Les rites liturgiques articulent la structure matérielle d’un édifice
ecclésiastique. De ce fait, chaque conception artistique participe à son
aménagement. Reproduit sur un bloc de pierre – claveaux de grandes
arcades ou chapiteaux - à partir d’objets sacrés comme les chancels, le
motif sculpté aide à identifier un espace liturgique spécifique. Cette
question de l’espace liturgique peut également être considérée à travers
le prisme de l’objet liturgique. Plusieurs cérémonies se déroulent, en
effet, en dehors du cadre bâti de l’église : les processions, les drames
liturgiques ou encore une partie des funérailles. Les objets
liturgiques ont alors pour fonction de transposer, en dehors de leur
cadre habituel, les rites cultuels. Ce colloque international, qui aura
lieu les <span style="color: red;">5</span> et <span style="color: red;">6 juin 2018</span> dans les locaux de la <a href="http://www.mae.parisnanterre.fr/" target="_blank">Maison Archéologie et Ethnologie de René Ginouvès</a> (MAE), a pour objectif de mettre en présence
jeunes chercheurs et spécialistes reconnus pour dresser un état de la
question dans les travaux actuels. Deux thématiques rythmeront ces deux
jours dans lesquelles seront regroupées les communications des
intervenants.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Pour le programe en PDF <a href="http://www.mae.parisnanterre.fr/wp-content/uploads/2018/05/Programme_colloque_arscan_themam.pdf" target="_blank">cliquez ici</a> ! </span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com021 Allée de l'Université, 92000 Nanterre, Francia48.9041663 2.209862700000030648.9035138 2.2086022000000307 48.9048188 2.2111232000000305tag:blogger.com,1999:blog-1087304017339556690.post-89900063099917586152018-05-10T07:06:00.000+01:002018-05-10T07:06:23.049+01:00Munkhbat. Mongolie médiévale<div class="separator" style="clear: both; text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.arts-asiatiques.com/cms/maa_154/upload/slider/bandeaumunkhbat.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://www.arts-asiatiques.com/cms/maa_154/upload/slider/bandeaumunkhbat.jpg" data-original-height="320" data-original-width="695" height="147" width="320" /></a></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Munkhbat, artiste mongol contemporain se situe dans le droit fil de la tradition héritée du Moyen Age.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Il
s’y rattache par les thèmes traités: l’omniprésence des chevaux dans
la steppe mongole, la vie des princes et princesses, les grandes chasses
à cheval, le jeu de polo, mais aussi par le procédé pictural inspiré de
la Chine antique, celui du dessin à l’encre de Chine. Seule concession
faite par lui à la modernité, l’adjonction, à l’intérieur des contours
dessinés à l’encre de Chine, d’aplats de couleur réalisés à la gouache,
ce qui rend les tableaux plus vivants et plus lumineux sans altérer la
sobriété de l’ensemble.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Authentifiant ses toiles d’une
élégante signature, en caractères "oulghours", l’artiste se revendique
de la tradition et nous permet de rêver au passé mythique de la Mongolie
des temps anciens.<br />Durant sept siècles et jusqu’au siècle
dernier, la Mongolie tantôt domina la Chine, tantôt fut dominée par
elle, chacun des deux pays gardant ses différences, aussi bien ethniques
que linguistiques et culturelles. Mais l’art pictural de la
calligraphie et du dessin à l’encre de Chine fut l’un des traits
caractéristiques de ces deux peuples.<br />Munkhbat est, à
l’époque contemporaine, l’un des héritiers de cette tradition séculaire.
Ce n’est un peintre de la nature. Seuls l’intéressent les humains et
les chevaux. Il les représente presque toujours en mouvement, mais en
souplesse, sans précipitation, comme s’ils participaient à une sorte de
ballet. Ses tableaux évoquent la liberté sauvage des chevaux dans les
steppes, les jeux musicaux des élites, la maîtrise des techniques de la
chasse, la joie du jeu de polo. Les maîtres-mots qui pourraient servir à
caractériser l’œuvre picturale de Munkhbat sont: harmonie, douceur,
lumière, joie.<br />L’artiste a reçu le soutien de l’association
culturelle ORIENT EXPOS qui lui a permis d’exposer et qui, par la suite,
a fait don au musée des Arts asiatiques, des tableaux présentés
aujourd’hui.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="gras">Exposition jusqu'à <span style="color: red;">dimanche 24 juin 2018</span>. <a href="http://www.arts-asiatiques.com/" target="_blank">Musée Départemental des Arts Asiatiques</a>.</span></span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0405 Prom. des Anglais, 06200 Nice, Francia43.6680597 7.215532899999971118.1460252 -34.093061100000028 69.1900942 48.52412689999997tag:blogger.com,1999:blog-1087304017339556690.post-28267872840199340712018-05-03T06:55:00.000+01:002018-05-03T06:55:40.187+01:00Humanités numériques: de nouveaux outils pour le médiéviste<div class="separator" style="clear: both; text-align: center;">
<a href="https://rmblf.files.wordpress.com/2018/03/affichefinale.jpg?w=379&h=536" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="536" data-original-width="379" height="640" src="https://rmblf.files.wordpress.com/2018/03/affichefinale.jpg?w=379&h=536" width="452" /></a></div>
<span class="short_text" id="result_box" lang="fr"><span class=""><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Pour voir le programme, <a href="https://rmblf.be/2018/03/12/activite-du-rmblf-humanites-numeriques-de-nouveaux-outils-pour-le-medieviste-digital-humanities-new-tools-for-the-medievalist" target="_blank">cliquez ici</a> !</span></span></span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Rue de Bruxelles 61, 5000 Namur, Belgio50.4662458 4.860501699999986224.944211300000003 -36.448092300000013 75.9882803 46.169095699999986tag:blogger.com,1999:blog-1087304017339556690.post-47711292232131404442018-04-15T07:54:00.003+01:002018-04-15T07:54:20.274+01:00Medieval Europe in Motion<div style="text-align: justify;">
<b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Medieval Europe in Motion</span></span></b></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The Circulation of Artists, Images, Patterns and Ideas from the Mediterranean to the Atlantic Coast (6th-15th centuries)<br />by </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Maria Alessandra Bilotta</b><br />Introduction by <b>Gerardo Boto Varela </b><br />Conclusions by <b>Xavier Barral i Altet</b></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">pp. 464, € 28,00</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Officina di Studi Medievali, 2018</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">ISBN: </span><span style="font-family: Arial,Helvetica,sans-serif;">978-88-6485-106-8</span></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.officinastudimedievali.it/shop/200-thickbox_default/medieval-europe-in-motion.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://www.officinastudimedievali.it/shop/200-thickbox_default/medieval-europe-in-motion.jpg" data-original-height="800" data-original-width="800" height="320" width="320" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Notions of movement and mobility are central to understanding many
aspects of medieval society. Essentially, movement involves connections
across time, objects, people, and space. The essays in this volume
investigate how the circulation, motion, and mobility of people,
patterns, and ideas influenced artistic creation between the 6th and
15th centuries – from the Mediterranean to the Atlantic coast.
Scholarship in the volume manifests the international scope of current
research on artistic and cultural circulation and mobility in the
European Middle Ages. In it, readers are presented with a detailed image
illustrating the effects of social and cultural exchange and mobility
on artistic creation. As a whole, the collection aims at developing
critical and constructive interdisciplinary revision of these matters.
New and exciting questions are also raised for future discussion. Works
from scholars specializing in history, history of art, palaeography,
codicology, literature, and the history of ideas are bound in a single
volume. The book brings together twenty-five contributions from: L. U.
Afonso, X. Barral i Altet, C. Barreira, M. A. Bilotta, G. Boto Varela,
E. Condello, L. Correia de Sousa, M. Cursi, G. Donati, J. Dubois, I.
Escandell Proust, P. Almeida Fernandes, D. Espada, M. Fiorilla, P.
Flor, L. Geymonat, J.-M. Guillouët, Ch. Heck, M. V. Herráez Ortega, A.
Lemos, E. Lozano, L. Marcozzi, A. A. Nascimento, C. Pulsoni, A. M.
Rodrigues, J. Rodrigues, C. Ruzzier, M. Signorini, C. Varela Fernandes,
G. Videira Lopes, C. Valdaliso, B. Van den Bossche.</span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-51958252832026001262018-02-07T07:49:00.001+00:002018-02-07T07:49:52.225+00:00The Waldensians in the Medieval and Early Modern Context<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.trumba.com/i/DgCIZFV1Dzzq4eGuzG6eT5Rv.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="300" src="https://www.trumba.com/i/DgCIZFV1Dzzq4eGuzG6eT5Rv.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">In recent years, the medieval and early modern Waldensians have
enjoyed a renewed scholarly interest giving rise to a number of new
publications. Moreover, 2017 marks the anniversary of Reformation which
resulted in a number of scholarly events. There are, however,
significant gaps in scholarship on the Waldensians, most notably a lack
of critical editions as well as studies around topics such as
intertextuality and the circulation of texts. Such research would allow
scholars in the field to gain a better knowledge of Waldensian text
production and the place of that movement within the medieval and early
modern religious space in Europe.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
The Trinity Centre for Medieval and Renaissance Studies will be hosting a conference on the Waldensians on the <span style="color: red;">9<sup>th</sup></span> to <span style="color: red;">10<sup>th</sup>
February 2018</span> in <a href="https://www.tcd.ie/" target="_blank">Trinity College Dublin</a>. The purpose of this conference
will be to advance this discussion of the movement and to foster
international collaboration in Waldensian studies.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">For more information <a href="https://waldensianstcd.wordpress.com/" target="_blank">click here</a> !</span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Dublino, Irlanda53.3498053 -6.260309699999993453.0463133 -6.9057566999999933 53.6532973 -5.6148626999999935tag:blogger.com,1999:blog-1087304017339556690.post-11171924293035200752018-01-02T09:58:00.000+00:002018-01-02T09:58:32.525+00:00 Late Medieval Papal Legation<div class="tab-pane active" id="sinossi" role="tabpanel" style="text-align: justify;">
<div style="text-align: justify;">
<b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Late Medieval Papal Legation</span></span></b></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">by <b>Antonin Kalous</b></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">pp. 285, € 35,00 (<a href="https://www.viella.it/libro/9788867289424" target="_blank">Buy online</a> with the 15% discount)</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Viella, 2017</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">ISBN: </span><span style="font-family: Arial,Helvetica,sans-serif;">9788867289424</span></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.viella.it/spool/34769dad7a7d862c15b6d202a4b6849f_w600_h_mw_mh_cs_cx_cy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="539" height="320" src="https://www.viella.it/spool/34769dad7a7d862c15b6d202a4b6849f_w600_h_mw_mh_cs_cx_cy.jpg" width="215" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><em>Late Medieval</em> Papal Legation is a result of long term study
of papal legates in the late medieval period. Even though this crucial
institution of the reform papacy of the eleventh, twelfth and thirteenth
centuries kept its standards as designed in the classical canon law, it
was transformed according to the current needs of the papacy in later
periods. A substantial change came after the conciliar crisis and before
the radical transformation of the first half of the sixteenth century.
In the second half of the fifteenth and early sixteenth centuries, papal
legates <em>de latere</em>, as cardinals, travelled all around Europe
in support of the recovered papal authority after the conciliar period
and before the outbreak of the German Reformation. </span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> This volume attempts to systematise the changes of this specific
period in the development of the papacy. It is based on extensive
research in the Vatican Archives and Library, other Italian and
especially Central European archives and libraries, and published
sources of the period. The volume focuses on the terminology and theory
of papal legation, on the sources and expression of legatine authority
and on the system in relation to practical matters (ceremonial,
travelling, finance), and political, diplomatic and ecclesiastical tasks
and topics. The study of the legatine office is exceptionally complex
and ranges from high diplomacy and spiritual benefits brought for
distinct provinces, to the personal interests and involvement of
individual cardinals. This book tries to open discussion on research
that has only just started and needs to be developed as an integral part
of our understanding of medieval papal and European history<span style="font-family: serif;">.</span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-family: serif;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #990000;"><b>Antonín Kalous</b></span> is an associate professor of Medieval and Renaissance
history at Palacký University, Olomouc, Czech Republic. His research
focuses mostly on ecclesiastical, cultural and political history of
late-medieval Central Europe and on papacy of the same period. With
Viella, he published <em>The Transformation of Confessional Cultures in a Central European City: Olomouc, 1400-1750</em>
(ed. by, 2015).</span></span> </span></span></div>
</div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-88453266651015095582017-11-22T06:57:00.003+00:002017-11-22T07:06:29.247+00:00Le Grand Armorial équestre de la Toison d’or<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Le Grand Armorial équestre de la Toison d’or</span></span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Michel Pastoureau</b> et <b>Jean-Charles de Castelbajac</b> </span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">256 pages, 180 illustrations, € 49,00</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">BnF, Éditions de la Bibliothèque nationale de France, 2017</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">ISBN: 978-2-7177-2762-3</span></span></div>
<div style="text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-zEiblLdtcVA/WhUhtQUuMmI/AAAAAAAAHf4/QxcYb3NpongT8Qcixr8Jjc1XOcvCR5NVQCLcBGAs/s1600/23722403_10155683428666007_4672576778462739010_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="600" height="320" src="https://1.bp.blogspot.com/-zEiblLdtcVA/WhUhtQUuMmI/AAAAAAAAHf4/QxcYb3NpongT8Qcixr8Jjc1XOcvCR5NVQCLcBGAs/s320/23722403_10155683428666007_4672576778462739010_n.jpg" width="239" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Cet ouvrage est la réédition à l’identique d’un manuscrit médiéval représentant les membres de l’ordre de chevalerie de la Toison d’or, peint à la gouache sur papier au milieu de XV<sup>e</sup> siècle et précieusement conservé à la Bibliothèque de l’Arsenal au titre de trésor national depuis le XVIII<sup>e</sup> siècle. </span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">L’expressivité des figures équestres, la fougue des cavaliers, l’audace des cimiers, la somptuosité des couleurs, la beauté flamboyante de l’ensemble… tout
invitait à ouvrir la réflexion à un univers artistique. Aussi ce fac-similé est-il enrichi du double regard que portent sur cette pièce exceptionnelle Michel Pastoureau, historien de l’art, spécialiste, entre autres, des emblèmes et auteur de nombreux ouvrages sur la couleur, et Jean-Charles de Castelbajac, prestigieux créateur de mode de notre
époque, passionné par l’art héraldique. </span></span></div>
Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0tag:blogger.com,1999:blog-1087304017339556690.post-24420393910240731542017-11-08T07:38:00.000+00:002017-11-08T07:38:23.473+00:00Cathédrales et mosquées constructrices de la mémoire et du paysage urbain dans l'Europe méridionale (XIIe-XIVe s.)<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-MZY0V34f-ok/WgKzS1dljyI/AAAAAAAAHYs/86gcSJik4fwDD6v73mSjSWnRnmdZpvLtQCLcBGAs/s1600/POSTER%2BCONGRESO.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="540" height="640" src="https://3.bp.blogspot.com/-MZY0V34f-ok/WgKzS1dljyI/AAAAAAAAHYs/86gcSJik4fwDD6v73mSjSWnRnmdZpvLtQCLcBGAs/s640/POSTER%2BCONGRESO.jpg" width="480" /></a></div>
<br />Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Girona, Provincia di Girona, Spagna41.9794005 2.821426400000063941.884969999999996 2.660064900000064 42.073831 2.9827879000000639tag:blogger.com,1999:blog-1087304017339556690.post-22417783569919572742017-10-15T06:30:00.000+01:002017-10-15T06:30:01.506+01:00Imperialiter – Le roi et l’Eglise<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-TkGKD8LOYmc/WeLwqzl3N2I/AAAAAAAAHRE/kOjU10NKCKowF9HM9puCjZ0TodmHLkxggCLcBGAs/s1600/roi_eglise.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="508" data-original-width="256" height="640" src="https://1.bp.blogspot.com/-TkGKD8LOYmc/WeLwqzl3N2I/AAAAAAAAHRE/kOjU10NKCKowF9HM9puCjZ0TodmHLkxggCLcBGAs/s640/roi_eglise.jpg" width="322" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Pour tous information <a href="http://www.efrome.it/it/la-ricerca/agenda-e-incontri/attualita/le-souverain-et-son-eglise.html" target="_blank">cliquer ici</a></span></span> !Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Piazza Navona, 62, 00186 Roma RM, Italia41.8999335 12.47324000000003341.899910500000004 12.473200500000033 41.8999565 12.473279500000032tag:blogger.com,1999:blog-1087304017339556690.post-271041040558080332017-07-18T06:47:00.000+01:002017-07-18T06:49:10.215+01:00Mathilde de Canossa a Orval<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-MhYoe84dBXA/WW2Px5T36dI/AAAAAAAAGqk/4RmESuUuYBohDCPwT2QkN5OTeaPnZZ7_ACLcBGAs/s1600/orval.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="839" data-original-width="589" height="640" src="https://2.bp.blogspot.com/-MhYoe84dBXA/WW2Px5T36dI/AAAAAAAAGqk/4RmESuUuYBohDCPwT2QkN5OTeaPnZZ7_ACLcBGAs/s640/orval.jpg" width="448" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Pour information et programme <a href="http://www.orval-patrimoine.be/" target="_blank">cliquez ici</a> !</span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Villers-devant-Orval, 6823 Florenville, Belgio49.619632400000008 5.331440199999974524.097597900000007 -35.977153800000025 75.1416669 46.640034199999974tag:blogger.com,1999:blog-1087304017339556690.post-22967730905655637482017-07-14T07:12:00.000+01:002017-07-14T07:12:21.946+01:00Landshuter Hochzeit 1475<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-EopnPnMzMTA/WWhe3_DyoUI/AAAAAAAAGpQ/51J2FixqS5o4zxrJh_686U6ZZWISoZJCgCLcBGAs/s1600/13327356_617030435139200_7237282673365771165_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="678" height="640" src="https://2.bp.blogspot.com/-EopnPnMzMTA/WWhe3_DyoUI/AAAAAAAAGpQ/51J2FixqS5o4zxrJh_686U6ZZWISoZJCgCLcBGAs/s640/13327356_617030435139200_7237282673365771165_n.jpg" width="452" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">For Facebook Fan Page <a href="https://www.facebook.com/landshuterhochzeit.official" target="_blank">click here</a> !</span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Spiegelgasse 208, 84028 Landshut, Germania48.5340309 12.1521009000000523.011996399999997 -29.156493099999949 74.0560654 53.46069490000005tag:blogger.com,1999:blog-1087304017339556690.post-62339939153929440292017-07-09T08:09:00.000+01:002017-07-09T08:09:16.493+01:00Journées romanes. Le grandes abbayes et l'art roman<div class="separator" style="clear: both; text-align: center;">
<a href="https://static.wixstatic.com/media/88a9bb_87d1ecc944484d0b84533f3366f482e5~mv2.jpg/v1/fill/w_378,h_266,al_c,q_80,usm_0.66_1.00_0.01/88a9bb_87d1ecc944484d0b84533f3366f482e5~mv2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="266" data-original-width="378" height="281" src="https://static.wixstatic.com/media/88a9bb_87d1ecc944484d0b84533f3366f482e5~mv2.jpg/v1/fill/w_378,h_266,al_c,q_80,usm_0.66_1.00_0.01/88a9bb_87d1ecc944484d0b84533f3366f482e5~mv2.jpg" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Pour le programme <a href="http://cuxa.org/journees-romanes-2017-10-15-juillet-2017" target="_blank">cliquer ici</a> !</span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Route de Taurinya, 66500 Codalet, Francia42.5948314 2.417151600000011117.072796899999997 -38.891442399999988 68.1168659 43.72574560000001tag:blogger.com,1999:blog-1087304017339556690.post-73000891914565434872017-06-07T06:22:00.000+00:002017-06-07T06:22:01.631+00:00The Normans in the South<div class="separator" style="clear: both; text-align: center;">
<a href="https://scontent-mxp1-1.xx.fbcdn.net/v/t1.0-9/16832146_989194224548573_6201503019666289343_n.jpg?oh=bbb75ef33954e1688fbc6f404c078b34&oe=599BE703" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="587" height="640" src="https://scontent-mxp1-1.xx.fbcdn.net/v/t1.0-9/16832146_989194224548573_6201503019666289343_n.jpg?oh=bbb75ef33954e1688fbc6f404c078b34&oe=599BE703" width="468" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The Normans in the South<br />
Mediterranean Meetings in the Central Middle Ages<br />
<span style="color: red;">Friday 30 June</span> – <span style="color: red;">Sunday 2 July 2017</span></span></span><span style="color: red;">
</span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><em>St Edmund Hall, University of Oxford</em></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="short_text" id="result_box" lang="en"><span class="">For the event on facebook <a href="https://www.facebook.com/events/254514425001069" target="_blank">click here</a> !</span></span><em> </em></span></span>Italia Medievalehttp://www.blogger.com/profile/18167904232959442706noreply@blogger.com0Queen's Ln, Oxford OX1, Regno Unito51.7533371 -1.250457999999980551.752722600000006 -1.2517184999999806 51.7539516 -1.2491974999999804